David Vance SubstackRead More
It’s encouraging to see that the tide seems to be turning on the sensationalist and morally bankrupt psyop that masquerades as “Bonnie Blue”
The latest story details her ban from Nottingham Forest’s City Ground and exposes a troubling pattern of reckless publicity stunts that prioritise her personal gain over public decency.
Blue (real name is Tia Emma Billinger) attempted to enter the Premier League stadium after posting on social media that she wanted to “entertain” fans and players by filming adult content post-match. Her actions, met with a swift lifetime ban and escort off the premises, reveal her calculated disregard for the boundaries of appropriate behaviour in public spaces, particularly those tied to family-oriented sports culture.
Of course Blue’s stunt is not an isolated incident but rather part of a broader strategy to leverage shock value for public notoriety and financial gain. Her fantastical claim of sleeping with 1,057 men in 24 hours—disputed by many as logistically dubious—underscores a reliance on sensationalism over substance. Such assertions, paired with her targeting of “barely legal” students during university freshers’ weeks, raise ethical concerns about exploiting vulnerable young adults for profit. Her defence, framing her ban as discrimination against sex workers, is a weak deflection. Nottingham Forest’s decision was not about her profession but her explicit intent to disrupt a professional sports environment with inappropriate conduct. Her suggestion that “entertaining supporters” reduces drinking and benefits health is a pathetic justification.
Blue also failed to sustain her sponsorship of Calstock FC, a Cornish non-league club, which retracted the deal due to FA regulations and public backlash.
This move, like her stadium stunt, reveals a pattern of infiltrating football to amplify her brand, heedless of the sport’s community values. Fans and critics on social media rightly called out the Calstock sponsorship as “embarrassing,” with some expressed concern about the influence on younger audiences.
Blue’s actions risk normalising the commodification of sex in spaces meant for shared enjoyment, not adult entertainment.
While Blue likes to market herself as some sort of bold entrepreneur, her actual approach exploits public spaces and institutions for clout, undermining their integrity. Her ban from Nottingham Forest is a wake-up call: fame built on provocation has limits, and public patience is wearing thin.
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